Showing posts with label Photoshoot Work. Show all posts
Showing posts with label Photoshoot Work. Show all posts
Sunday, 13 December 2015
Additional Image
As my contents page still feels empty and because I want it to have a collage feel, I have taken an image of the Gateshead Millennium Bridge to put onto this page.
Saturday, 29 August 2015
Monday, 20 July 2015
Front Cover- Dominant Image
This is a general outline of my front cover with the image on it. I have not included everything as it is supposed to just be a basic idea for when I begin designing. This image has a large presence on the page because of its noir effect. Despite the brightness of the yellow, the dominant image is still the unique selling point of the magazine.
Sunday, 19 July 2015
Weather Report
When taking the outdoor images, the weather was suitable. The image of the Tyneside Cinema was not very bright as its entrance is on a side street and therefore blocked out some sunlight. This is not a problem as it fits with the look of the cinema as its sign is not particularly colourful. The image taken on the beach is brighter which connotes the enthusiastic vibe of the image.
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Weather for 19th July |
Saturday, 18 July 2015
Photoshoot Images
Using 'PhotoCollage', I put together the images I will be using for my products. The photo shoot went very well and all of the images are suitable.
Thursday, 9 July 2015
Shot List
This is the list of images that will be used in my products. I have listed what type of shot each image will be.
Tyneside Cinema: Medium shot
Super 8 camera: Medium shot
Photo of Editor: Medium shot
Feature Page Image: Wide shot
Tyne Bridge: Wide shot
Big Ben: Medium shot
Wednesday, 8 July 2015
Billboard Image Change
I have decided not to include an image of a Super 8 camera on my billboard as I do not think it will add anything to it. I will place the magazine's slogan where the image would have been however I will still keep the image of the IPad and IPhone to show the different formats the magazine is available in.
Tuesday, 7 July 2015
Recce
This recce is information about my photo shoot.
The ‘recce’
1. Are there any potential hazards that
could pose a health and safety risk where your photo shoot will take place
(trailing cables/traffic/other objects)?
Some
images will be taken near roads and near water which are a clear risk. The roads could be busy when I take the photo
shoot and it could end up being very bad weather with rain and wind. This is not only a risk to people, but to the
equipment I will be using too.
2. What will you do to ensure these risks
are minimised?
To reduce these risks I will take the location photos when there is
less traffic. A suitable time for this
is a morning during the week. The images
taken near water will not be hazardous as I will not go too close to the water
therefore both myself, the people with me and the equipment will not be at
risk.
3. Will the time of day/weather affect the
outcome of the photos? Have you allowed for this?
The photos taken outdoors are not dependent on lots of light but cannot
be taken when it’s raining or when it is dark.
Because of this, the images will be taken during the day when the
weather is suitable. The images taken
indoors will be taken during the day however they will not require beams of
sunlight.
4. Have you considered the background to
your photos, particularly if taken outside? How will you ensure you will get
the background you want?
The images taken indoors will have more basic backgrounds however
the outdoor images will contain more.
The image for the magazine’s feature page for example will be taken on a
beach which will bring in more colour. One
of the images I am going to use on the website will be of Big Ben as I am
visiting London soon. This image will
accompany text about film clubs visiting London to explore British Film.
5. Have you considered lighting? What
about the ‘problems’ of natural lighting, either outside, or streaming through
a window? Will you need to use a flash? Have you considered reflective objects
that might spoil the effect?
The cover image will require darkness with a small amount of light
shining on me. As for the location
shots, I do not want bright sunlight to enter the frame which is why I will not
take them on a day when this could become a problem. Some of the images taken indoors are also at
risk of containing streams of light so I will take them away from sources of
brightness. The image of the camera which will go on the billboard however will require bright light to make it stand out against the black background.
6. Do you need permission to take photos
in the place/venue you have in mind?
No
7. Do you need to book time in a room (eg
the photography studio at Shiney)?
No
8. Are other people/crowds likely to be an
issue for you? What have you done to ensure that it will not spoil the effect?
The only image in which crowds would be a problem is the image of
the Tyneside Cinema however as I am going to take this picture on a morning, it
should be less crowded.
9. Are you reliant on lifts/props/friends’
equipment/models? How have you planned that these things will come together at
the appointed time? Plan B?
I will be using a very significant prop on the cover, contents page
and feature page: a Super 8 camera. This
will be the focus of the magazine as the article is about local independent
film making. I am going to ask a friend
or family to appear as the editor of the magazine. If they are not available on the day I plan to take the photo then I will arrange another time for it to be taken.
10. Finally, have you thought of every
eventuality…?
From doing this recce, I am confident that I can carry out an
effective and careful photo shoot and that I can get the images I need in order
to create well designed products.
Photoshoot Planning
Media Production
Photo shoot planning document
What emotional impact do you want your
photography do have upon the reader? How?
I want my images to make the reader aware of the enthusiastic attitude that young people have about film. Some of the images such as the one on the cover will be a reflection of young independent film makers both from now and from the 60s and 70s, when young film makers had a strong presence in the film industry.
What personnel do you need? Who are you
going to photograph?
I am going to photograph a female family member who will act as the editor. They will feature on the editor's page. Their image will be a medium shot.
What props will you need?
I will be using a Super 8 camera on the cover, contents page and feature page to show that 'old school' filmmaking is not necessarily old-fashioned as lots of young people are very passionate about film.
How are you going to emphasise colour?
The colours I use will be both bright and dark. For example on the cover there will be a black background with yellow text. This will be carried throughout my products, especially on the billboard which will make it more of a stand-out advertisement.
Have you briefed your personnel/models?
I have briefed the person who will appear in my magazine and they have signed a consent slip giving permission for the image of them to be used.
What lighting will you need? Any other
equipment?
The light sources will be natural however I will have to take the pictures at a time when the weather is suitable for them. The cover image will need to be taken with a dark background so that the 'noir' effect I add to the image looks more effective.
Where will you shoot? Will you need a
backdrop?
The shots I take outdoors will be taken at the Tyne Bridge, South Shields beach and the Tyneside Cinema. The other outdoor image will be Big Ben which I will take while I am on holiday there.
Make-up? Costume?
There will be no additional make-up needed and the clothing will be casual.
Monday, 6 July 2015
Image Gathering
These are images of locations and props that will feature in my products.
Link to Prezi: https://prezi.com/6xehf7cb2cn8/image-gathering/
Link to Prezi: https://prezi.com/6xehf7cb2cn8/image-gathering/
Sunday, 5 July 2015
Consent Slip
This consent slip shows that I have permission to include this person in my magazine in which they will act as the editor.
Organising Guests
This is evidence that I have organised for someone to be in my magazine. This person will act as the editor of the magazine. The person in the image is a family member. The reason I did not choose a friend to be the editor is because it is not realistic enough if a seventeen year old is the editor of a magazine. This image does not require a significant pose- the model will only need to turn slightly to the side and face the camera.
Saturday, 4 July 2015
Arranging Equipment
I have been in touch with a family member asking them if I can lend their camera to take pictures for my products.
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